Since the inception of the Transom Story Lab, it’s been a goal of ours to engage with the scientific community. Woods Hole, Transom’s home for 25 years, is a town of science.
I think this happens to reporters a lot. They see someone who looks interesting. They chat with them, and they think, “Hunh, maybe there’s a story here.” It happened to David Weinberg.
Hello! Welcome (back) to All Hear, the Everything List for Audio Opportunities. I recently read a thread in UKAN — a listserv for U.K. audio producers — about people considering leaving the
One of my favorite past times is sending music to friends, usually a link to a song sent by text. Punk, dub, and experimental music to my friends Sven and Matthias. Avant-garde
There are many reasons to gather audio creators: to share skills, promote goods and services, experience a performance. Every audio festival out there has its reason to gather, and each one is
I picked up on something Ira Glass said in the last episode of Sound School that I want to highlight here. Rather than structuring a story as a collection of arguments and
Hello! Hello! Welcome (back) to All Hear, the Everything List for Audio Opportunities. This month there’s a few brilliant opportunities for makers who are underrepresented in different ways — those in the
I started counting the number of valuable tips Ira Glass of This American Life offers on this episode of Sound School and I gave up. There were too many. Tips on writing,
Introduction For as long as I can remember I was a kid who talked too much. I could never just relay information — I always had to tell a story. I had
I remember thinking: Uh, oh. We hired the wrong translator. I was in Brazil, Rio de Janeiro to be exact, reporting a story on pretrial detention — a netherworld between arrest and
